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You have no doubt read about CBS's desire to create "buzz" this fall. This week we get a few examples of what ol' Tiffany's definition of buzzworthy, cutting-edge programming happens to be. But Bill Prady and Chuck Lorre's new comedy, "The Big Bang Theory," does not belong in that number.
"Big Bang Theory" airs Mondays at 8:30 on CBS (KIRO/7), and it's exactly what you'd expect from the network's Monday night comedy block.
If you're in the habit of spending your Monday nights with CBS's efficient comedies, the brainy banter in "Big Bang Theory," delivered with the speed and precision of a coked-up kingpin firing his favorite automatic weapon, will suit you just fine.
But this sitcom probably won't make other people go looking for it except in times of need, which is fine. In the same way "Two and a Half Men" is easy to drop in on every so often because it can always be relied upon for a laugh, "Big Bang Theory" looks like it'll grow into a solid occasional diversion for the rest of us.
Truly Leonard (Johnny Galecki) and Sheldon (Jim Parsons) are a comedy duo for the Microsoft age, physicists and geniuses in a world that seems to be getting dumber and more difficult to navigate with each passing day. The appearance of a new neighbor named Penny (Kaley Cuoco), who happens to be hot, friendly and considerably dimmer than Leonard and Sheldon, upsets the delicate biosphere they've created in their apartment.
Sheldon attempts to keep Leonard tethered to reality, reminding his pal at every opportunity the producers can shove in there that Penny is and never will be a realistic romantic option. But their wingmen, Howard (Simon Helberg) and Rajesh (Kunal Nayyar), give him hope. Howard awkwardly hits on Penny at every turn, making Leonard look like a veritable Romeo, while Rajesh can't even bring himself to look at her.
Within minutes of meeting the guys, this waitress at the Cheesecake Factory (writing a screenplay about ... take a wild guess!) is asking them if she can shower in their apartment, giving them an opportunity to see her in nothing but a towel. This is after an awkward trip to a sperm bank for geniuses that, glory be, sets up this fantabulous exchange.
Penny: "So, what do you guys do for fun around here?"
Sheldon: "Well, today we tried masturbating for money."
Wow! Not only are the characters geniuses, so is the level of creativity that goes into the script!
Granted, don't expect things from "Big Bang Theory" and you'll enjoy it. This is a comedy that does what it's supposed to do, which is to make you smile and giggle at the appropriate points. Be that as it may, the pilot never ascends beyond the level of being cute and nice.
Maybe that's enough for you. There's something to be said for easy laughter on a Monday night. Still, you also may wish the writers spread the jokes around more evenly, perhaps giving Cuoco a little more to do than smile sweetly and look confused when the guys start talking about alternate universes and using strange terms such as "parallax distortion."
The setup is so simple that The WB has already done it's take on it -- geeks meet beauty, touching off inadvertently comical situations (except, of course, that in this case they're meticulously planned and intentional) and a period of emotional growth. Lorre once and again demonstrates his talent for loading his script with withering one-liners, usually delivered by Sheldon.
Parsons plays his part to deadpan perfection, always ready with the perfect ka-BOOM smackdown to dash the hopes of Leonard, the more optimistic of the two. Leonard is a single guy who just wants to have a life outside of his small circle of Klingon Boggle champions, whereas Sheldon, more than being resigned to his fate, embraces it.
His combination of anal retentiveness and bitterness carries the show. However, that's quite a load for one actor to shoulder in what is supposed to be an ensemble comedy. One also wishes there was more kindness in the show, both to Cuoco's character and to these guys. The geniuses never flog Penny with their intellect, but neither does she give them much in the way of proof that anything substantial percolates beneath that kind veneer.
Provided the ratings aren't too terribly shabby (they'd have to be worse than "The Class," which crawled through an entire season before getting axed), CBS is likely to give "Big Bang Theory" and its producers time to perfect the formula. And while it's unlikely to be a great leap forward for the sitcom genre, odds are it'll keep the Monday night block chugging along.
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Posted by RadioListings at 9/24/07 12:08 p.m.
Terrible, terrible, terrible. It shouldn't matter which day it's on, or are we supposed to not want as much out of a comedy programme if it's earlier in the week? And what was up with the laughter track, it seemed to appear from nowhere when 'joke' was marked on the script then vanish totally.